The compact DM12 honours yourstage or studio desktop space,while providing incredible sonicperformance, amazing versatility andan unheard of level of affordability. 

What is the secret behind DM12'ssuperb, studio-quality sound? TheDM12 features 8 award-winning,Midas microphone preamplifi ers withtrue +48 V Phantom Power, acclaimedby audio engineers the world over for their transparency and nuancedlow noise, high-headroom design. Add to this TRS Line Inputs on all 12channels (8 mono and 2 stereo), mono channel Inserts and 3-band EQ withmid-frequency sweep, 2 switchable pre/post-fader aux sends, 2 monitorouts and 2-track RCA I/O, and you have an analogue work of art the fullyfeatured DM12!

Live Performance and Studio Recording
With 12 channels, the DM12 has more than enough microphone and line inputs to manage a small band or worship team with channels to spare – both on the stage and in the studio. It is also the ideal choice for use as a keyboard or drum sub-mixer for larger scale performances. 

Dedicated Stereo Inputs
Line channels 9/10 - 11/12 are dedicated stereo channels, making them ideal for stereo instruments, such as keyboards – and can also be used for mono signals thanks to a convenient balance control on each 2-channel grouping. These channels can also be used as return inputs for signals sent external effects processing equipment. 

Mono Inputs
• Mic inputs (MIDAS mic preamp): 8
• Type: XLR, balanced
• -131 dBu, unweighted, 20 Hz to 20 kHz
• Mic EIN at 60 dB gain, 150 O source at insert send: -128 dBu, unweighted, 20 Hz to 20 kHz
• Noise at 10dB Gain, at insert send: -97 dBu, unweighted, 20 Hz to 20 kHz
• Frequency response (-1 dB) at main output: 20 Hz to 20 kHz (-1 dB)
• Frequency response (-3 dB) at main output: 70 kHz (-3 dB)
• Mic Gain range: Plus 10 dB to Plus 60 dB
• Max. input level: Plus 11 dBu at Plus 10 dB gain
• CMRR at Plus 60dB gain: Typically -90 dB
• Impedance: 2 kO, balanced
• Distortion (THD Plus N) at 0 dBu: 0.005% at 1kHz
• Phantom power: Switchable, Plus 48 V 

Line Input
• Type: ¼ inch TRS, balanced
• Impedance: 20 kO balanced / unbalanced
• Line Gain range: -10 dB to Plus 40 dB
• Max. input level: Plus 30 dBu 

Stereo Inputs
• Type: 4 x ¼ inch TRS connector, balanced
• Impedance: 20 kO balanced / unbalanced
• Gain range: -20 dB to Plus 20 dB
• Max. input level: Plus 21 dBu

Equaliser
• Low: Plus/Minus 15 dB at 80 Hz, shelving
• Mid (mono inputs only): Plus/Minus 15 dB at 150 Hz to 3.5 kHz, variable semi-parametric
• High: Plus/Minus dB at 12 kHz, shelving

Channel Inserts
• Type: ¼ inch TRS connector, unbalanced
• Max. input / output level: Plus 21 dBu

Aux Sends
• Type: 2 x ¼ inch TRS connector, balanced
• Impedance: 240 O balanced, 120 O unbalanced
• Max. output level: Plus 21 dBu 

Monitor Out
• Type: 2 x ¼ inch TRS connector, balanced
• Impedance: 240 O balanced, 120 O unbalanced
• Max. output level: Plus 21 dBu 

Main Out
• Type: 2 x XLR, electronically balanced
• Impedance: 100 O balanced, 50 O unbalanced
• Max. output level: Plus 21 dBu

Main Out Inserts
• Type: 2 x ¼ inch TRS connector, unbalanced
• Max. input / output level: Plus 21 dBu

Phones Output
• Type: ¼ inch TRS connector, unbalanced
• Impedance: 25 O
• Max. output level: Plus 21 dBu

2-Track Input
• Type: 2 x RCA, unbalanced
• Impedance: 20 kO
• Max. input level: Plus 21 dBu

Record Out
• Type: 2 x RCA, unbalanced
• Impedance: 1 kO
• Max. output level: Plus 21 dBu

Main Mix System Noise
• Main mix at -?, channel fader at -8: -104 dBu, unweighted, 20 Hz to 20 kHz
• Main mix at 0 dB, channel fader at -8: -91 dBu, unweighted, 20 Hz to 20 kHz
• Main mix at 0 dB, channel fader at 0 dB; -84 dBu, unweighted, 20 Hz to 20 kHz

Power Supply / Voltage (Fuses)
• Switch mode power supply: 100-240 V~ 50/60 Hz, switchable (T 1.6 A H 250 V)
• Power consumption: 40 W
• Mains connection: Standard IEC receptacle 

Dimensions / Weight
• Dimensions (H x W x D): 95 x 328 x 370 mm (3.7 x 12.9 x 14.6 inch)
• Weight: 3.9 kg (1.8 lbs)

Midas DM12
12 Input Analogue Live and Studio Mixer
MIDAS Microphone Preamplifiers